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Art enlightens the intelligence, captivates thought, and incites ambition.
—Pierre de Coubertin (1863–1937), founder of the modern Olympic Movement

Gagosian is pleased to announce The Art of the Olympics, a two-part group exhibition organized in association with the Olympic Museum to celebrate the Olympic and Paralympic Games Paris 2024.

The gallery at rue de Castiglione features artworks in various mediums that explore sport’s rich cultural, iconographic, social, and emotional tapestry. Among the selections is Andreas Gursky’s monumental photograph Amsterdam, Arena I (2000), which presents a panoramic aerial view of a football match, reducing the uniformed players and manicured turf to an abstract composition of line and color. Man Ray’s similarly playful Jeux Nocturnes (c. 1970) infuses the soccer ball itself with a spirit of mystery that suggests a hidden dynamic, while Duane Hanson’s polychrome bronze sculpture Bodybuilder (1989–90) portrays an unnamed muscular, shirtless man encountered by the artist at a gym in Hollywood, Florida; the subject’s skin is sheened with sweat and his expression conveys a state of deep self-immersion. Jonas Wood’s Scholl Canyon (2005) transforms the serene landscape of a sprawling golf course into a multilayered abstract composition and Christo’s drawing for Running Fence (1974), a 39.4-kilometer public sculpture, communicates a sense of shared exhilaration akin to a marathon in its nurturing of cultural exchange and unity. The repurposing of fabric used in the artist’s Arc de Triomphe, Wrapped (1961–2021) in tents for the Paris Olympic Games extends his enduring legacy. A further selection includes works by Keith Haring, Takashi Murakami, Marc Newson, Ed Ruscha, Andy Warhol, and others.

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The Art of the Olympics: An Interview with Yasmin Meichtry

The Art of the Olympics: An Interview with Yasmin Meichtry

The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, associate director at the Olympic Foundation for Culture and Heritage, Lausanne, Switzerland, meets with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.

Gagosian Quarterly Fall 2025

Now available
Gagosian Quarterly Fall 2025

The Fall 2025 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Blue Liz as Cleopatra (1962) on the cover.

At the Movies with Andy Warhol

At the Movies with Andy Warhol

Carlos Valladares tracks the artist’s engagements with Hollywood glamour, thinking through the ways in which the star system and its marketing engine informed his work.

Gagosian Quarterly Summer 2025

Now available
Gagosian Quarterly Summer 2025

The Summer 2025 issue of Gagosian Quarterly is now available, featuring Pablo Picasso’s Nu accoudé (1961) on the cover.

Rachel Whiteread: Casting History

Rachel Whiteread: Casting History

From her Judenplatz Holocaust Memorial in Vienna to her casting of George Orwell’s World War II office at the BBC, Rachel Whiteread has long engaged with the emotional and historical complexities of addressing deeply troubling moments in human history through art. This month, Whiteread will debut a new work for the inaugural exhibition at the Goodwood Art Foundation in Sussex, England.

Picasso: Tête-à-tête

Picasso: Tête-à-tête

On April 18, the exhibition Picasso: Tête-à-tête opened at Gagosian, New York. Including works from 1896 to 1972, the full span of the artist’s career, the show is presented in partnership with Paloma Picasso, the artist’s daughter. Here, Michael Cary, one of the organizers of the exhibition, traces the historical precedents that informed the conversational nature of the curation. He also introduces a translation of a 1932 interview with Picasso by the publisher and critic E. Tériade, often quoted in English in part but not in full.

Gagosian Quarterly Spring 2025

Now available
Gagosian Quarterly Spring 2025

The Spring 2025 issue of Gagosian Quarterly is now available, featuring Cy Twombly’s Paesaggio (1986) on the cover. 

Cy Twombly by Jenny Saville: To Lift the Veil

Cy Twombly by Jenny Saville: To Lift the Veil

Jenny Saville reflects on Cy Twombly’s poetic engagement with the world, with time and tension, and with growth in this excerpt from her Marion Barthelme Lecture, presented at the Menil Collection, Houston, in 2024.

Michael Craig-Martin and Colm Tóibín

Michael Craig-Martin and Colm Tóibín

Michael Craig-Martin’s sixty-year career is the subject of a retrospective at the Royal Academy of Arts, London, on view through December 10, 2024. Ahead of the exhibition’s opening, the artist met with his longtime friend, the novelist Colm Tóibín, to discuss his materials and the generative inquiries at the heart of his practice.

Gagosian Quarterly Fall 2024

Now available
Gagosian Quarterly Fall 2024

The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

Mao: In the Land of Warhol

Mao: In the Land of Warhol

Jessica Beck examines Andy Warhol’s return to painting in the 1970s, focusing on the artist’s Mao series.

Roy

Roy

Michael Ovitz, cofounder of Creative Artists Agency (CAA), looks back to 1989, the year he and the architect I. M. Pei commissioned Roy Lichtenstein to create the Bauhaus Stairway Mural for the then new CAA Building in Los Angeles. Through the experience of working with Lichtenstein, Ovitz formed a meaningful friendship with the artist.

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Join Vladimir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), which Gagosian presented at Art Basel Unlimited 2024.

Bauhaus Stairway Mural

Bauhaus Stairway Mural

Alice Godwin and Alison McDonald explore the history of Roy Lichtenstein’s mural of 1989, contextualizing the work among the artist’s other mural projects and reaching back to its inspiration: the Bauhaus Stairway painting of 1932 by the German artist Oskar Schlemmer.

Gagosian Quarterly Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A Foreigner Called Picasso

Behind the Art
A Foreigner Called Picasso

Join president of the Picasso Museum, Paris, Cécile Debray; curator, writer, biographer, and historian Annie Cohen-Solal; art historian Vérane Tasseau; and Gagosian director Serena Cattaneo Adorno as they discuss A Foreigner Called Picasso. Organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris, the exhibition reframes our perception of Picasso and focuses on his status as a permanent foreigner in France.

Christo: Early Works

Christo: Early Works

Christo: Early Works, curated by Elena Geuna, is the inaugural exhibition in the Gagosian Open series of off-site projects. In this video, Geuna explores the connection between Christo’s sculptural works and their setting in the historic Georgian house at 4 Princelet Street, London.

A Foreigner Called Picasso

A Foreigner Called Picasso

Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.

Rachel Whiteread: … And the Animals Were Sold

Rachel Whiteread: … And the Animals Were Sold

An installation by Rachel Whiteread in the Palazzo della Ragione, Bergamo, Italy, commissioned by Galleria d’Arte Moderna e Contemporanea di Bergamo and cocurated by Lorenzo Giusti and Sara Fumagalli, opened in June of 2023 and ran into the fall. Conceived in relation to the city, the architecture of the site, and the history of the region, it comprised sixty sculptures made with local types of stone. Fumagalli writes on the exhibition and architect Luca Cipelletti speaks with Whiteread.

Irving Blum and Dorothy Lichtenstein

In Conversation
Irving Blum and Dorothy Lichtenstein

In celebration of the centenary of Roy Lichtenstein’s birth, Irving Blum and Dorothy Lichtenstein sat down to discuss the artist’s life and legacy, and the exhibition Lichtenstein Remembered curated by Blum at Gagosian, New York.