
Now available
Gagosian Quarterly Spring 2025
The Spring 2025 issue of Gagosian Quarterly is now available, featuring Cy Twombly’s Paesaggio (1986) on the cover.
Gagosian is pleased to announce Souvenirs of Time, an exhibition of photographs by Cy Twombly. On view at Gagosian Rome from October 30 to November 13, 2021, the exhibition surveys the photographs that Twombly took throughout his career of his studios and domestic interiors, and of classical sculptures. Made over a sixty-year period across locations in the United States and Italy, these images chronicle locations that were central to the artist’s life and work.
Twombly was active as a photographer from his days at a student at Black Mountain College in North Carolina in the early 1950s through his death in 2011. He used photography to capture studies of his daily life and motifs that held his interest. His images display an affinity with the Pictorialism of such figures as Edward Steichen and Alfred Stieglitz in their emphasis on soft focus, fine detail, and deliberate composition. Initially using black-and-white film, Twombly later captured vivid hues with a Polaroid camera, enlarging selected images through a special color dry-print process.
In Rome, Souvenirs of Time brings together shots that Twombly took of his studio interiors from the 1950s through the 2000s. These range from his 1950s studio on New York’s Fulton Street to his ateliers in Rome, Bassano in Teverina, and Gaeta in Italy, and in Lexington, Virginia. These images show his paintings and sculpture in situ and in varying states of completion, offering insight into his working process. Additional photographs depict domestic interiors and details of classical sculptures, presenting views of the spaces and forms that inspired him.
Sigh, Sigh, Sigh, a presentation of work by Tacita Dean that includes a series of her own photographs and film of Twombly’s studios in Gaeta and Lexington will be on view concurrently at Fondazione Nicola Del Roscio, one floor below the gallery.
The Spring 2021 issue of Gagosian Quarterly features Jonathan Galassi’s poem “After Images,” which was inspired by Twombly’s photographs.
Gagosian will also present a grouping of Twombly’s fruit, flower, and landscape photographs at Paris Photo 2021, on view at the Grand Palais Éphémère from November 11 to 14, 2021.

The Spring 2025 issue of Gagosian Quarterly is now available, featuring Cy Twombly’s Paesaggio (1986) on the cover.

Jenny Saville reflects on Cy Twombly’s poetic engagement with the world, with time and tension, and with growth in this excerpt from her Marion Barthelme Lecture, presented at the Menil Collection, Houston, in 2024.

Eleonora Di Erasmo, cocurator of Un/veiled: Cy Twombly, Music, Inspirations, a program of concerts, video screenings, and works by Cy Twombly at the Fondazione Nicola Del Roscio, Rome, reflects on the resonances and networks of inspiration between the artist and music. The program was the result of an extensive three-year study, done at the behest of Nicola Del Roscio in the Rome and Gaeta offices of the Cy Twombly Foundation, intended to collect, document, and preserve compositions by musicians around the world who have been inspired by Twombly’s work, or to establish an artistic dialogue with them.

In 2020, the Museum of Fine Arts, Boston, announced their plan for a survey of Cy Twombly’s artwork alongside selections from their permanent ancient Greek and Roman collection. The survey was postponed due to the lockdowns necessitated by the coronavirus pandemic, but was revived in 2022 with a presentation at the J. Paul Getty Museum in Los Angeles from August 2 through October 30. In 2023, the exhibition will arrive at the Museum of Fine Arts, Boston. The curator for the exhibition, Christine Kondoleon, and Kate Nesin, author of Cy Twombly’s Things (2014) and advisor for the show, speak with Gagosian director Mark Francis about the origin of the exhibition and the aesthetic and poetic resonances that give the show its title: Making Past Present.

Thierry Greub tracks the literary references in Cy Twombly’s epic painting of 1994.

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Anne Boyer, the inaugural winner of the Cy Twombly Award in Poetry, composes a poem in response to Twombly’s Aristaeus Mourning the Loss of His Bees (1973) and introduces a portfolio of the painter’s works accompanied by the poems that inspired them.

The Spring 2021 issue of Gagosian Quarterly is now available, featuring Gerhard Richter’s Helen (1963) on its cover.

Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

London’s River Café, a culinary mecca perched on a bend in the River Thames, celebrated its thirtieth anniversary in 2018. To celebrate this milestone and the publication of her cookbook River Café London, cofounder Ruth Rogers sat down with Derek Blasberg to discuss the famed restaurant’s allure.

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.
Mark Francis, director of the exhibition Cy Twombly: In Beauty it is finished, Drawings 1951–2008, describes the impetus for this expansive presentation, the source for its title, and details the stories of some of the works on view.
Cy Twombly’s Coronation of Sesostris (2000) receives a closer look by Gagosian Director, Mark Francis. In this video, he discusses the history of the work, the myths and poetry embedded within it, and considers its lasting impact.

Katharina Grosse reflects on the work of Cy Twombly.

Olivier Berggruen and Mary Jacobus spoke about the works in the inaugural exhibition at Gagosian’s Grosvenor Hill outpost.

On the occasion of the Morgan Library & Museum’s exhibition of Cy Twombly’s monumental painting Treatise on the Veil (1970) and related drawings, Gagosian director Mark Francis speaks with Isabelle Dervaux, Acquavella Curator of Modern & Contemporary Drawings at the Morgan.