
Nathaniel Mary Quinn
A statement from the artist.
June 3, 2020
In response to enduring racial injustices and the recent widespread civil unrest, Richard Serra urges people to watch this video commentary by Trevor Noah, host of The Daily Show.
In response to the acute situation across America, Gagosian Quarterly encourages our readers to get involved with the following nonprofit organizations, and more, to show support for communities of color in crisis:
American Civil Liberties Union Foundation, Black Lives Matter, and National Bailout Fund

A statement from the artist.

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Violinist Alina Ibragimova performs Bach’s Sonata for Solo Violin No. 1 in G Major: Adagio (BWV 1001, c. 1720) from within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies, a nonprofit organization that commissions artists to produce site-specific projects and present performances, in collaboration with Gagosian, this recorded performance took place on May 8, 2022 before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).
Cellist Mario Brunello performs Bach’s Cello Suite No. 1 in G Major: Prelude (BWV 1007, c. 1717–23) within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies—a nonprofit that commissions artists to produce site-specific projects and present performances—in collaboration with Gagosian, this recorded performance took place on May 8, 2022, before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Join exhibition curator Donna De Salvo as she discusses her selection of the artist’s rarely seen sculptures, drawings, films, and archival materials in Walter De Maria: The Singular Experience at Gagosian, Le Bourget. Chief among these is Truck Trilogy (2011–17), De Maria’s final sculpture and the centerpiece of the exhibition.
Join Glenn Brown in his London studio as he discusses his presentation for the Studio section of Frieze Masters 2025, which explores the idea of the artist’s studio as a time machine: a space in which historical memory fuels creativity, manifesting in artworks that look to the future. Brown speaks about the featured works, which range from new paintings, drawings, and a sculpture to historic works on paper from the Brown Collection.
Paul McCartney: Rearview Mirror: Photographs, December 1963–February 1964 at Gagosian, Beverly Hills, brings together self-portraits, unguarded snapshots of The Beatles, and vivid depictions of the pandemonium that greeted them at every turn. Ahead of the exhibition, McCartney and Joshua Chuang, director of photography at Gagosian, met up at Griffin Editions in Brooklyn, New York, to reflect on the prints featured in the show.
In conjunction with the exhibition Adriana Varejão: Don’t Forget, We Come From the Tropics at the Hispanic Society Museum & Library, New York, Laura Dias Leite produced a video directed by Luisa Marques in which the artist discusses the genesis of the show. The exhibition debuts the latest works in Varejão’s Plate series (2011–), which, shown alongside historic ceramic plates from the museum’s collection, pose questions about aesthetic hierarchies.
Join Gagosian for a conversation between Derrick Adams and Ekow Eshun, author, curator, and chair of the commissioning group for the Fourth Plinth in Trafalgar Square, London. The pair discuss Adams’s latest paintings depicting visions of Black Americana—featured in the exhibition Situation Comedy at Gagosian, Davies Street, London—within the context of British contemporary culture.
To coincide with her exhibition Setsuko: Kingdom of Cats, at Gagosian, New York, the artist speaks with architect Peter Marino about her recent sculptures, paintings, and works on paper.
On the occasion of the exhibition Thomas Schütte: Major Sculptures, at Gagosian, New York, Gagosian Art Advisory’s Bernard Lagrange talks about the sculptures featured in the show. The installation includes six sculptures from the Frauen (Women) series and the related Torso (2005).