
Kathleen Ryan: Time, Crafted
On the occasion of two exhibitions—one at Gagosian, London, and the other at Kistefos in Jevnaker, Norway—the Quarterly shares an essay included in the forthcoming book Kathleen Ryan: 2014–24. Here, Harry Thorne writes on Kathleen Ryan’s artistic process, methods of assemblage, and how her studio resembles an excavation site.









