Andreas Gursky

At the center of Andreas Gursky’s new exhibition in Paris at Gagosian’s rue de Castiglione gallery is Paris, Montparnasse II (2025), a reengagement with his celebrated photograph from 1993 of the architect Jean Dubuisson’s iconic building in the capital city. In the new work, Gursky reexamines the subject, tracing the changes time has inscribed on the architecture and its occupants. Here, in conversation with the Quarterly’s Wyatt Allgeier and shown alongside behind-the-scenes images from the artwork’s making, the artist addresses his motivations and interests in this long-term project.

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).

Jacoba Urist profiles the legendary collector.

An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.

On the occasion of a major survey of Andreas Gursky’s work at the Hayward Gallery in London, Gursky and Jeff Wall discuss the state of photography and the evolution of the medium.

Andreas Gursky and Richie Hawtin discuss their collaboration with art historian Laura Käding.