
Now available
Gagosian Quarterly Fall 2025
The Fall 2025 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Blue Liz as Cleopatra (1962) on the cover.
Fall 2024 Issue
The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

Detail from Andy Warhol’s Mao (1972), on the cover of Gagosian Quarterly, Fall 2024
Detail from Andy Warhol’s Mao (1972), on the cover of Gagosian Quarterly, Fall 2024
Inside, Jessica Beck discusses Andy Warhol’s Mao series, contextualizing Warhol’s return to painting in the early 1970s and his attraction to subjects of notoriety. We dig into the archives to honor the inimitable Richard Serra, who had over forty exhibitions at Gagosian since his first in 1983. Elsewhere in the issue, Salomé Gómez-Upegui examines the work of artists confronting the climate crisis, and Péjú Oshin speaks with Jayden Ali about his expansive view of architecture.
The third installment of the Quarterly’s “Gagosian&” series complements Social Abstraction, a two-part exhibition in Beverly Hills and Hong Kong curated by Antwaun Sargent. The supplement includes conversations between participating artists Alteronce Gumby and Amanda Williams, Kahlil Robert Irving and Cameron Welch, and Kevin Beasley and Rick Lowe; features on the work of Kyle Abraham, Allana Clarke, Lauren Halsey, and Devin B. Johnson; and a portfolio of Cy Gavin’s paintings. This intergenerational group of artists employs abstraction through various mediums to illuminate Black social realities.
Readers will also find Francine Prose on Harold Ancart’s new paintings, Derek C. Blasberg’s “Fashion & Art” interview with Grace Coddington, Spencer Sweeney in conversation with Lizzi Bougatsos, and Raymond Foye’s profile of the record label Dust-to-Digital.
For all this and more, order your copy or subscribe at the Gagosian Shop, or read the issue online.
Artwork © 2024 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York

The Fall 2025 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Blue Liz as Cleopatra (1962) on the cover.

Carlos Valladares tracks the artist’s engagements with Hollywood glamour, thinking through the ways in which the star system and its marketing engine informed his work.

Jessica Beck examines Andy Warhol’s return to painting in the 1970s, focusing on the artist’s Mao series.

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.
In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

Raymond Foye speaks with the actor who impersonated Andy Warhol during the great Warhol lecture hoax in the late 1960s. The two also discuss Midgette’s earlier film career in Italy and the difficulty of performing in a Warhol film.

Jessica Beck, the Milton Fine Curator of Art at the Andy Warhol Museum, Pittsburgh, considers the artist’s career-spanning use of Polaroid photography as part of his more expansive practice.

Rare-book expert Douglas Flamm speaks with designer Norman Diekman about his unique collection of books on art and architecture. Diekman describes his first plunge into book collecting, the history behind it, and the way his passion for collecting grew.

Gwen Allen recounts her discovery of cutting-edge artists’ magazines from the 1960s and 1970s and explores the roots and implications of these singular publications.

James Lawrence explores how contemporary artists have grappled with the subject of the library.

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.