New York, 1975
Katy Siegel and Christopher Wool discuss David Reed’s paintings and the New York art scene in 1975.
Game Changer
Mercedes Matter
Lauren Mahony and Michael Tcheyan pay homage to the founder of the New York Studio School.
David Reed
David Reed and Katharina Grosse met at Reed’s New York studio in the fall of 2019 to talk about his newest paintings, the temporal aspects of both artists’ practice, and some of their mutual inspirations.
Christopher Wool: Part Two
Gray turns to pink or his twenty-first century, much of it in Texas. Text by Richard Hell.
David Reed and Jeffrey Weiss
Curator and critic Jeffrey Weiss joins David Reed for a public tour of the artist’s exhibition New Paintings at Gagosian, New York. Here, we present an edit of their conversation, which tracks the works’ influences from Mannerist and Baroque art to Hollywood films and screen light.
Christopher Wool: Part One
Christopher Wool and his unlikely heroes or conceptual or not? Text by Richard Hell.
Now available
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Now available
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
The Bigger Picture
Free Arts NYC
Meredith Mendelsohn discusses the impact of Free Arts NYC and its mission to foster creativity in children and teens, on the occasion of its twenty-year anniversary.
Book Corner
Black Book
Christopher Wool’s Black Book (1989) was selected by Douglas Flamm, a rare-book specialist at Gagosian, for a special focus. Text by Anna Heyward.
Walter De Maria: The Singular Experience
Join exhibition curator Donna De Salvo as she discusses her selection of the artist’s rarely seen sculptures, drawings, films, and archival materials in Walter De Maria: The Singular Experience at Gagosian, Le Bourget. Chief among these is Truck Trilogy (2011–17), De Maria’s final sculpture and the centerpiece of the exhibition.