
Now available
Gagosian Quarterly Fall 2025
The Fall 2025 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Blue Liz as Cleopatra (1962) on the cover.
October 22, 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Detail of a selection from Christopher Wool’s Westtexaspsychosculpture series (2017) on the cover of Gagosian Quarterly, Winter 2019
Detail of a selection from Christopher Wool’s Westtexaspsychosculpture series (2017) on the cover of Gagosian Quarterly, Winter 2019
Inside the issue, Richard Hell examines the evolution of Wool’s art practice, looking specifically at the artist’s move to Marfa, Texas, and the sculpture and photography that grew from that part-time relocation. We take a close look at recent work by Theaster Gates and delve into the archives of Nam June Paik to explore his writings. The edition also includes features on twentieth-century modernists, with articles on Sergei Diaghilev, Curzio Malaparte, and Charlotte Perriand; an interview about art theorist Carl Einstein; and excerpts from Man Ray’s autobiography. We hear from artists Huma Bhabha, Rachel Feinstein, and Rudolf Polanszky, and are delighted to include a portfolio of Richard Serra’s latest works. Our Building a Legacy series continues with a conversation about the complexities inherent to posthumous editions and reproductions in sculpture and photography. This issue also includes the final installment of Mark Z. Danielewski’s story “Love Is Not a Flame”; an homage to Grace McCann Morley; the first installment of John Elderfield’s two-part essay on Édouard Manet’s The Execution of Maximilian of 1868; and articles on mambo, Bob Kaufman, Jerry Schatzberg, and Andy Warhol.
For all of this and more, order your copy or subscribe at the Gagosian Shop, or read the issue online.
Artwork © Christopher Wool, courtesy Luhring Augustine, New York

The Fall 2025 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Blue Liz as Cleopatra (1962) on the cover.

Carlos Valladares tracks the artist’s engagements with Hollywood glamour, thinking through the ways in which the star system and its marketing engine informed his work.

The Bass Museum of Art, Miami Beach, is presenting Rachel Feinstein: The Miami Years (through August 17, 2025), an expansive exhibition of the artist’s multidisciplinary approach to sculpture. Ahead of the opening, Feinstein met with longtime friend and fellow artist Jack Pierson to reminisce about their years spent in Miami.

Writer and curator Olivia Anani met Theaster Gates in his exhibition Black Mystic at Gagosian, Le Bourget, to discuss the importance of translation and relocation, the ever-expanding horizons of his practice, and his use of tar.

The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

Jessica Beck examines Andy Warhol’s return to painting in the 1970s, focusing on the artist’s Mao series.

Lee Miller and Tanja Ramm’s friendship took them from New York to Paris and back, in front of and behind many cameras, and into the Surrealist avant-garde. Here, Gagosian director Richard Calvocoressi speaks with Ramm’s daughter, art historian Margit Rowell, about discovering her mother’s early life, her memories of Miller, and the collaborative work of photographers and models.

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.
In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.
On the occasion of Nam June Paik: Art in Process: Part One, curator John G. Hanhardt and Nam June Paik Estate curator Jon Huffman discuss the survey of works spanning the artist’s career.

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents are invited to make a selection from the larger questionnaire and to reply in as many or as few words as they desire. For this installment, we are honored to present the artist Theaster Gates, whose Serpentine Pavilion 2022 Black Chapel opened in London on June 10.

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).