Join exhibition curator Donna De Salvo as she discusses her selection of the artist’s rarely seen sculptures, drawings, films, and archival materials in Walter De Maria: The Singular Experience at Gagosian, Le Bourget. Chief among these is Truck Trilogy (2011–17), De Maria’s final sculpture and the centerpiece of the exhibition.
The Fall 2025 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Blue Liz as Cleopatra (1962) on the cover.
Join Glenn Brown in his London studio as he discusses his presentation for the Studio section of Frieze Masters 2025, which explores the idea of the artist’s studio as a time machine: a space in which historical memory fuels creativity, manifesting in artworks that look to the future. Brown speaks about the featured works, which range from new paintings, drawings, and a sculpture to historic works on paper from the Brown Collection.
On the eve of ECHOES FROM COPELAND, an exhibition of new paintings at Gagosian, New York, Nathaniel Mary Quinn met with Ashley Stewart Rödder to discuss the genesis of the works he’s been creating, their literary origins, and his evolving approach to the practices—and intersections—of painting and drawing.
Jordan Carter, curator and cohead of the curatorial department at Dia Art Foundation, New York, engages with the new artist’s book Cady Noland: Polaroids 1986–2024.
Christopher Kulendran Thomas spoke with artist, writer, and podcaster Joshua Citarella inside Kulendran Thomas’s exhibition Peace Core at Gagosian, Park & 75, New York. The pair discussed the makings and meanings of the exhibition, which juxtaposed a video work of infinite duration that continually remixes and reedits American television footage from the morning of September 11, 2001, with six expressionistic paintings based on AI-generated images depicting a largely undocumented massacre in Sri Lanka in 2009, perpetrated in the wake of the “war on terror.”
Ahead of her exhibition over the summer at the National Portrait Gallery, London, Jenny Saville met with the novelist Douglas Stuart to discuss Glasgow, the beauty and blemishes of bodies, and their respective creative processes.
Maximiliane Leuschner speaks with South Africa’s most-sought-after emerging choreographer, Mthuthuzeli November.
Carlos Valladares tracks the artist’s engagements with Hollywood glamour, thinking through the ways in which the star system and its marketing engine informed his work.
The celebrated New York School poet and Pulitzer Prize–winner James Schuyler is the subject of Nathan Kernan’s new biography, A Day Like Any Other: The Life of James Schuyler. Kernan narrates the wild turns in the poet’s life with great skill, from his peripatetic youth, through his years in the influential circle of W. H. Auden, on to his critical friendships with poets and artists such as John Ashbery, Jane Freilicher, Frank O’Hara, and Fairfield Porter. Here Raymond Foye, a friend of Schuyler’s (and the poet’s literary executor), talks with Kernan about the genesis of the project and some of the breakthroughs and challenges he encountered in its construction.
In this ongoing series the curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the third installment of 2025, we are honored to present Marina Tabassum, the architect behind this year’s Serpentine Pavilion in London, A Capsule in Time.
The third installment of a short story by Catherine Lacey.
